The Digitalization of Sound: How the Consumption of Music Changed from Vinyl to Hybrid Experiences

Dario De Notaris, Lello Savonardo

Abstract


This paper focuses on how digital media and new technological devices have changed music production and consumption processes. The role of music will be discussed as a collective process fed by individual consumption through personal media, starting from a sociological analysis of the main technological evolution in its industry field. This is related to the widespread use of devices to play music at home and also on the move. From the creation of the gramophone to the Walkman, from iPods to Smartphones, music consumption has become much more liquid. Production processes have changed, moving from recording studios managed by expert composers to easy-to-use devices that enable anyone to become a digital artist. Additionally, social media represent new ways to create and share original and creative works. Today, artificial intelligence, deep learning and holographic systems introduce new innovative perspectives to create, consume, and share music.

Keywords


sociology; music; digital

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DOI: http://dx.doi.org/10.13136/isr.v12i1.523

Copyright Licenza Creative Commons Attribution 3.0 (CC-BY)



 - Peer Reviewed Journal

Indexed on: Google Scholar, ProQuest - Sociological Abstracts, Ebsco Discovery Service, Scopus, ERIH PLUS, DOAJ.

Scientific Magazine classified for ANVUR (Resolution n.89 del 6th November 2012)

Scientific Magazine class A according to ANVUR (Resolution of 11th August 2020)

ISSN 2239-8589 | Managing Editor: Debora Viviani | Editor in Chief: Paola Di Nicola

Publisher:Quiedit